Showing posts with label oil painting. Show all posts
Showing posts with label oil painting. Show all posts

Friday, April 8, 2016

Art Exhibit at the Amherst Library

Paintings by Rollande Rousselle and Eileen Belanger

April, 2016

The Friends of the Amherst Town Library welcomes both Rollande Rousselle and Eileen Belanger to exhibit their oil and acrylic paintings on the main floor of the library for the month of April.  Stop in and feel the beauty both of these painters capture into their paintings.

Eileen Belanger resides in New Boston, New Hampshire in a 1908 cider mill which houses her living space, studio, and gallery. The mill is still operational every Columbus weekend as a fundraiser for local charities.  She teaches at the Cider Mill Gallery, Creative Ventures Gallery in Amherst and at E.W. Poore’s in Manchester.  Eileen has gained increasing recognition for her original, detailed paintings and murals of New England scenes inspired by her passion for nature and her surroundings.  Her acrylic and oil paintings may include scenes from her life in New Hampshire or a visit to Cape Cod, the Islands or abroad. Other times it is just the subject matter that stirs her creativity. Eileen is fascinated by dramatic contrasts between light and shadow and attempts to achieve a welcoming depth and clarity to her compositions.  Her murals are finely detailed and she works closely with her clients to interpret their ideas in breathtaking panoramas. Eileen has painted murals throughout the East Coast in private, public and corporate venues. She has also become widely known for her animal and house portraits.  Eileen has won numerous awards at New England art shows and is a member of the New Hampshire Plein Air Association. Painting on location is one of the joys of being an artist.

Rollande Rousselle is another local artist whose passion is spending most of her time learning, looking, studying, hearing, admiring nature and then trying to put as much as she can on canvas.  Painting is more important to her than bread.  After Rollande successfully started growing flowers in her garden,  she realized what she wanted to share with people, “I want them to see beauty all year long”.  She frequently returns to the lady slippers because they are natures’s gift to us.  “When people stand in front of my 'Fields of Ladies' painting and see the lady slippers, it often sends them back to a simpler more pleasant time. I was inspired to start painting ladies slippers because I love the beautiful greeting of these orchids when I take my much loved walks in the woods.”  Her greatest inspirations have been from the woods in the North East area.     Using oil paints and the palette knife allows Rollande the spontaneity of happy accident.  “It is amazing to see a square centimeter of the painting and be able to identify more than 10 colors in the background or the floor of the forest.”  She makes some of her own tools with handles as well as other things like snipped aluminum and the head of a nail to paint with.  “I usually prefer to work on a board because I am afraid to get overzealous and rip a canvas with a palette knife.”  Standing in total admiration in the Museum of fine Arts a few years back in front of Monet’s and Vincent’s painting has left Rollande desiring more and more to learn how to go in the direction of impressionistic painting and using no brushes has facilitated this in leaps and bound.
This information provided by the library: http://www.amherstlibrary.org/about/art-on-display

Monday, March 16, 2015

Color Charts for Painters

It’s easy to make your own color charts with your own paints. The photo above shows one method of making a color chart.  These are Winsor & Newton Artisan water mixable oil paints.  The company puts out a chart too with teeny tiny photos of the colors.  I drew straight lines with a ruler and permanent marker on 9” X 12” gessoed canvas paper (these come in a pad and are not too expensive).

Since I was just interested in seeing what the colors looked like in a larger view, I did one chart for each group of colors. I also did one for the neutrals, but it is not shown here.  Across the top row I wrote the color name and noted if the color was opaque (“O”) or transparent (“T”).  I painted the actual colors in that color family on the second row.  On the third row down, I added transparent white to each color.  On the fourth row down, I chose yellow ochre to mix with it on some of the charts.  The other rows vary depending on what I wanted to see. (You can enlarge the photo above by clicking on it).

I took a color mixing class in acrylic paints a few years back. The charts we made there were more about color mixing. These were done on acrylic paper. (photo below)


Top left chart shows primary colors, red on left in box 1, yellow in middle box 3, blue on right in box 5.  Other charts are variations on color mixing.  Most of them show the first row had one color on the left (box #1) and the one we wanted to mix it with in box #5 on the right. Then we mixed the two colors together 50/50 and put that mix in box #3. Again mixed box #3 with #1 into #2; then #5 (original color) and mix #3 into #4.  The second row down were the top row mixes mixed with titanium white. The third row down contained the first row’s mixes mixed with neutral gray; and the fourth row down contained the top row’s mixes mixed with black.  These can be done with any medium, not just acrylic paints. I added some other mixes in box #6 to see what they looked like.

Basically, most of us know that when we mix blue and yellow, we get green. But with pigments there are many yellows and many blues, so we will get many shades of green.  Making color charts will help with decision making when you are painting.

On my own, I decided to try to figure out what my paint tubes looked like, which ones were transparent and which ones were opaque.  I made another series of charts (below).

In these my first column contained my artist grade paints. The second column contained my student grade paints and the last column contained some craft paints I also had from other projects.  It was interesting to see the differences in the different grades of paint. The black line down was to help me determine which paints were opaque (full coverage) and which ones were transparent.


These are tedious exercises, but worthwhile and you will have your own color charts with your paints to refer to for every painting.  If you are really serious, you can note down your mix ratios too (as can be seen in books about color theory).

Happy painting!

Next Friends of Art Manchester regular meeting is on Thursday, March 19th at 7:00 p.m. We will be meeting at a different venue this week. For more information contact blogger and treasurer LindaFeinberg.

Saturday, December 20, 2014

Happy Holidays


Merry Christmas/Happy Chanukah/Happy New Year. Whatever holiday you celebrate, FOA wishes you peace and creativity this winter.

Our winter project will be creating four 4’ X 5’ canvas panels for Webster House.  We have 6 artists committed for this project.  If you are interested in painting, please contact our treasurer, Linda Feinberg, for design guidelines. LHFeinberg@yahoo.com Initial sketches are due January 15th.

When the canvases are finished, we will need help mounting and hanging the panels. If you are not a painter, perhaps you would like to help with that. If you are a photographer and would like to see your photo as a painting, please contact Linda for guidelines. If you have materials (or cash) you can donate for creating the panels, that would be appreciated too.

Take a moment to enjoy this beautiful prayer. Deep Peace video with Judy Collins and Richard Stoltzman: https://www.youtube.com/watch?v=DRejYkJOYJM

Wednesday, October 29, 2014

Presentation


Presentation counts when you are trying to attract customers.  These beautiful paintings are by Aline Lotter. Notice the frames when you go to a gallery, art show or museum.  These are oil paintings and do not need glass.


Another example of frames. The two large paintings at the top are on "float" or "floater" frames. These are acrylic paintings by Linda Feinberg. Framing stretched canvases in this type of frame is easily accomplished with screws, a screwdriver and wire.  If you have been painting for a while, you know how expensive it is to frame your works (photography too).  There are courses available on framing and they are a worthwhile investment of your time and money.

Other frames in the example above are one with a linen type liner (the white looks a little like a mat) and a standard frame from a local store.

Watercolor and pastel paintings require a bit more work to frame, but look beautiful with a mat and glass. Even a simple pencil or pen sketch will become "professional" looking with a frame and more so with a mat and frame.  You can test this out easily by using a program like Photoshop (or even Microsoft Word) by adding a frame to your image.

Please submit your suggestions for future postings to our blogger. We are looking for guest bloggers too. Thank you.




Thursday, May 1, 2014

Portraits and Exhibit

La Poeta, oil painting

Extensive traveling has allowed me to observe first hand, the range and diversity of humanity, skin tones features and character.  I search for that fleeting moment that captures the strength and gentleness of my subject.

Beatriz Bearden











Bea is a new member of Friends of Art Manchester, but has been studying art at the New Hampshire Institute of Art and with other instructors for several years.  She specializes in portraits, but also paints landscapes.


Roha, oil painting


Ten of our artists/photographers have their work currently displayed at the City Hall Gallery during May and June. We hope you will stop in to enjoy viewing our work.
1 City Hall Plaza (Elm Street), Manchester, New 
Hampshire